ElevenLabs
by ElevenLabs
Six audio modes in one place.
Voice, music, sound design, dialogue, and a voice changer.

Key features
Hear the range
A warm, unhurried read at documentary pace.
Written lyrics, sung back as an indie folk track.
Crickets, a far-off dog, one car passing.
Two speakers, distinct voices, one generation.
Technical specifications
6
Speech, music, SFX, dialogue, voice changer, transcripts
3,000 chars
Per text-to-speech generation
5s – 5min
Instrumental, or sung from your lyrics
0.5 – 22s
Per generated effect
5,000 chars
Every speaker in a single pass
Up to 5 min
Of source audio per conversion
Use cases

Narration and voice-over
Narrate AI-generated or live-action footage, choosing the voice by gender, age, accent and use case instead of scrolling a list.

Original songs and score
Score a video with an instrumental bed, or write the lyrics and get a finished song sung back in the style you asked for.

Sound design and ambience
Build foley, room tone and weather beds for a cut without licensing anything, and set the exact length each moment needs.

Podcasts and audio drama
Produce intros, narration segments and full multi-speaker scenes, each character with its own voice and delivery.

Audiobook narration
Long-form reading with consistent pacing and tone across chapters, generated in passes you can direct chapter by chapter.

Dubbing and transcripts
Re-voice a recorded take without a re-record, and turn any clip into a transcript that marks who is speaking.
Prompt examples
Song with vocals
Slow indie folk, brushed drums, one close female vocal singing my lyrics.
Sound design
A heavy oak door dragging open over stone, hinges protesting. 8 seconds.
Two-hander dialogue
Ana (flat): 'You said nine.' Theo (fast): 'The bridge was closed, I ran.'
Character read
Lighthouse keeper, gravelled and fond: 'Forty winters, this light.'
Overview
ElevenLabs covers the audio side of Morphic end to end. Six modes run on it: speech, music, sound effects, dialogue, the voice changer, and Scribe transcription. That range is the point. A single cut usually needs a narrator, a bed of music, a few effects and sometimes a second character, and all four come from one place, in the same project as the footage.
The controls are what separate it from ordinary text-to-speech. Stability, style, resemblance and speed turn a generation into a direction rather than a lottery. Music takes your lyrics and sings them. Sound effects take a length, so a hit lands on the frame it was written for. And speech to speech means a take you already recorded can carry a different voice without losing the performance you captured.
Simple pricing
Get started for free today, with the option to upgrade or cancel anytime.
Basic
2400 monthly credits
1 user only
All models
Workflows
Standard
3625 monthly credits
1 user only
All models
Workflows
Pro
6350 shared monthly credits
1 user
All models
Workflows
Max
24650 shared monthly credits
1 user
All models
Workflows
Enterprise
For higher limits
Custom
pricing and billing terms

Free
For playing around
$0
forever free
FAQs
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